Today I started by focusing on the spiky shell at front. It needed sharp edges. Greg did a demo by first putting lighter tone (subject), then creating edges by surrendering them with darker tone (background). Voila !
I reworked on the big one at back, carefully observing the big shape and direction of its spikes.
Artist on ABC TV Portrait Artist of the Year 2025. Studied tonal realism oil painting with Gregory Smith. Also working as a hairstylist in his spare time at Covet&Co in Ivanhoe, Melbourne, Australia
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