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Saturday, March 31, 2018

Plein Air Oil Painting

Due to the dentist’s appointment, I couldn’t go far to paint today. Lying on a chair with my mouth wide open, I was thinking how long does it take for her to finish and where should I go after this, I decided to go back to my favourite Studley Boathouse in Fairfield. 



This viewpoint is slightly different from the previous one, to the left. It wasn’t as busy as I had thought, that was nice. 
There were lots of activities going on, but, I tried to keep them as simple as possible. 
I’m reasonably happy with this one. I spent 3 hours. 


Oil on canvas. 14x18 in. 

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Friday, March 30, 2018

Plein Air Oil Painting

Easter Friday holiday!
Allured by its serene beauty, I decided to go back to Kororoit Creek Jetties in Williamstown. 



It’s a slightly different viewpoint from Sunday’s. It was very peaceful and warm at the beginning, but, halfway through it got very windy and freezing. It’s amazing how quickly the weather changes in this area. 
I don’t think I did a good job. It was a struggle. 
I really like this place, though. I’ll definitely come back. 
I spent 2.5 hours. 

Later, I took a short walk around Paisley Challis Birdhide. As the information board tells us, we can watch hundreds of fascinating birds here. 


Oil on canvas. 14x18 in. 

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Monday, March 26, 2018

Oil Painting lesson with Gregory Smith

I chose new subject today. 
I painted the cast about two years ago. I thought it’s a good idea to revisit. 

After an initial wash, my rubbing off was too big, I had to scale it down. 
Greg told me to see many angular lines in the cast and get them right. 

I think it’s a good start. 


Work in progress. 
Oil on panel. 16x20 in. 

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Sunday, March 25, 2018

Paint Out Day

I drove to Kororoit Creek Jetties in Williamstown this morning. I’ve never been here before. It’s between Williamstown and Altona. 

It was around 11am, I saw many familiar faces  setting up easels, some of them already finishing their first paintings! I saw Ray Hewitt, an amazing artist. He was kind enough to give me some suggestions. 



It was very windy and my easel fell down twice. At first it was very sunny but soon it got very cloudy and started to rain. It was incredible. Very difficult to paint really. 

Somehow I managed to finish this one. 
I spent 2.5 hours. 
Then, all those dark clouds were gone, the sky was opened up again, just beautiful. 

It was a gorgeous day. 


Oil on canvas. 14x18 in. 

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Thursday, March 22, 2018

Frida -film

Borrowed from a local library. 
It’s been a long time since I watched this film. I was reading reviews of her exhibition at V&A in London recently, I thought it’s a good time to revisit her life and works. 

The film did an splendid job tracing her rather tragic story with brilliant performances by almost all actors, particularly two main characters. Geoffrey Rush as Trotsky wasn’t so convincing though,  I must say. 
The production designs and costumes were beautifully created and shot. 

I’m not a big fan of her paintings, but, her lifelong passion for creativity is always enormously inspiring. 


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Monday, March 19, 2018

Oil Painting lesson with Gregory Smith

I put a finishing touch to the big vase at front, trying to achieve its 3D structure. 
The metal plate at back wasn’t round enough, so I fixed it. 

The lamp was too smoky. I painted it with a touch of background colour so that it looks more transparent. That was a great tip from Greg. 

He also told me to do more details on spout and handle of the kettle, a main feature, so I made them more obvious. 

Well, that’s it. I’m happy with this one. I’ve learned a lot. 


Oil on panel. 16x20 in. 
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Plein Air Oil Painting

I drove to Fairfield Boathouse this afternoon. 



Because it’s Monday, it was very peaceful. However, I miscalculated the sun’s direction and ended up being drenched in autumn sunshine, which was still very intense. I should get some eye drops. 

I spent 2.5 hours. Now, off to Greg’s studio. 


Oil on canvas. 14x18 in. 

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Sunday, March 18, 2018

Oil Painting at LastPeek Studio

I went to my favourite studio in Thornbury this afternoon. 
I painted Sarah before. A very elegant model. She holds a pose well. There’s some calmness in her modelling. 
Frank organised a fantastic Easter bunnies setup. It’s a shame I don’t have time to paint it. 

Again, it’s always nice to see familiar faces. 
I spent 2.5 hours. 


Unfinished. 
Oil on canvas. 14x18 in. 


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Saturday, March 17, 2018

‘Murphy’ by The Australian Ballet

I went to State Theatre in Arts Center after work. 
“Hiro!” I heard someone calling my name while I was reading a program. Alas, it was my artist friend and her seat was next to mine. 
She was with her ballet teacher. We had a wonderful time. 



The show is a celebration of Graeme Murphy’s life works in the past 50 years. 
At the beginning, there was a clip of his interview on a screen. His words were very inspiring. They could apply to many other fields of artistic disciplines. 

I particularly liked Grand, Air and Other Invisible Forces and of course Firebird. 
Set design, lighting and music. Beautiful synthesis. Costume design by Akira was just stunning.  

The selection of today’s programs somehow felt lacking in sumptuous, crowd-thumping extravaganza. Probably that’s not the point. 
Just like paintings, there are plenty of beauty in rather muted tones than vivid colours. We need to have eyes and minds to see them, feel them. And truly appreciate them. 

It was a great evening. 
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Wednesday, March 14, 2018

My painting is on display at Covet&Co Creative Studio in Ivanhoe

‘Puss and Books’ has been gracefully hung on the wall of the salon, fixing its observant gaze on the quality of my work. 




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Monday, March 12, 2018

Oil Painting lesson with Gregory Smith

Today I started by greying table top. Greg told me it was too bright. I did the same in the background and the copper plate, in order to push them further back. I also did some details on the plate. 

Then, I tried to give more form to the kettle, the main feature. Greg told me that the horizontal highlights on the handle can’t be right in the middle. That was a revelation. Surely, it has to be slightly above the middle because the light is coming from above. 

I did some work on the big vase at front. Again, paying a close attention to its rounded form. 

I’m enjoying this one. 

Work in progress. 16x20 in. 
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Selfportrait Oil Painting

It’s a public holiday, Labour Day. 
It’s chilly and cloudy, and I wasn’t in a mood of painting outdoors, so, I decided to do selfie in my studio (bathroom). 
I spent 3.5 hours. 

Now, off to Greg’s studio. 


Oil on panel. 16x20 in. 


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Sunday, March 11, 2018

Plein Air Oil Painting

I drove to Warneet in Mornington Peninsula, 1.5 hour drive south-east of Melbourne, this afternoon. 
Last night, I was wondering where I should go and paint today. Because I liked Tooradin a lot, I thought I should try somewhere around the area. 

As it turned out, it’s a beautiful place. There are many spots I’d like to paint. This view somehow grabbed my eyes. I particularly liked the foreground leading to boats in the middle ground, then, to the sky. 



It got very cloudy and windy halfway through, and it was difficult to hold brushes. However, I really enjoyed this one. It’s a lot quieter than Tooradin, and there’re no ice cream or fish & chips shops. There’s a charming general store, though. 
I actually prefer this place. One of my favourite spots, really. I’ll definitely come back and do more paintings. 
I spent 2.5 hours. 


Oil on canvas. 14x18 in. 
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Friday, March 09, 2018

Rembrandt - film 1936

Despite its age, this classic film is actually a very touching story of the painter’s life. 
I’ve never heard of Charles Laughton, apparently he’s one of the greatest actors. I liked him a lot in the film. 

I’m not entirely sure if ‘The Night Watch’ was received by public as poorly as the film depicts. Also, I can’t help but have a feeling that it’s a bit too shallow. On the other hand, it’s almost impossible to pack everything in 90 min film. 

The most moving scene is when Rembrandt tried to finish the portrait of Hendrickje, by then very sick, both recounting when he first met her and asked her to sit as a model. 

Broken and penniless, the film ends when he paints his self-portrait, reciting the words of King Solomon. 

“Vanity of vanities! All is vanity.”


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Monday, March 05, 2018

Oil Painting lesson with Gregory Smith

Well, this is it. I thoroughly enjoyed this painting. The project is all about how to handle opacity and transparency of oil paints. 
It’s a fascinating exercise painting onions in a plastic bag, and clear bottles. 
I learned a lot. 


Oil on panel. 16x20 in. 
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Plein Air Oil Painting

I drove to Yarra Bend Park this morning. It was a bit chilly and windy, but, unlike weekends, very quiet today. 
Because it was cloudy, I was able to set up my easel here, giving me a slightly different view of city. 



Well, it was actually a struggle to keep holding the easel, and quite often the sun came out, bleaching out the canvas. 
Still, it was good. I spent 2.5 hours. 
Now, off to Greg’s studio. 


Oil on canvas. 14x18 in. 

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Sunday, March 04, 2018

Plein Air Oil Painting

I drove to Kyneton this morning. It was cloudy in Melbourne but it soon cleared up. 
I caught up with Greg and Rachel. It’s a lovely area. After lunch, I set up my easel here. 



I had a great time talking with her mother. 
As usual, Greg gave me precious advice, for example, the angle of the roof. 
I spent 3 hours. 
It was very peaceful and It was a great day. 


Oil on canvas. 14x18 in. 
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Saturday, March 03, 2018

BodyTorque.Atelier 2018 by Australian Ballet

I went to VCASS Studio Theatre in Southbank this evening.
I’ve never been to this annual ‘choreographic workshops’ before. Apparently, it’s supposed to be a much smaller space than State Theatre, and some musicians from Orchestra Victoria. 



As it turned out, it was a wonderful evening. There were seven works, and I thoroughly enjoyed them all. They were all different styles, and watching them one after another was a great privilege. 

My favourite was ’Life In Grey’ by Richard House. Beautiful and classy duo accompanied by JS Bach. Immaculate production. 
I’m looking forward to coming back next year. 
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Friday, March 02, 2018

My all time favourite Van Gogh painting

Well, that was a question from my client this afternoon ( You know I talk about art all the time while cutting hair ).

It’s really a difficult one to answer. I’m always drawn to his earlier works done in, say, Nuenen. 
He managed to produce magnificent body of work, most famously, The Potato Eaters. He did fabulous head studies of peasant women, still life and landscapes. With his distinctive use of earthy colours, Millet’s influence is obvious. 
His works in these early days as an artist are quite often overlooked, but, I myself see much greater sense of compassion for humanity in these works than his later ones. 

Having said that, now going back to the first question. 
My all time favourite of Van Gogh is actually this one. 



Painted in Arles in 1888, ‘The Painter on the Road to Tarascon’ was sadly destroyed during WWII. It’s a rare form of self-portrait by the artist. “For instance, there is a rough sketch I made of myself laden with boxes, props, and canvas on the road to Tarascon”, he wrote to Theo describing some works he did in August. 

This charming painting, Van Gogh walking in the field wearing a straw hat, carrying painting equipment on a sunny day in summer, strongly resonates in my heart. 
In a way, I feel as if I were looking at myself. I’ve no idea how I look like when I’m carrying those easels and canvas. Yes, I do wear a straw hat!
I don’t think you appreciate this painting as much as I do unless you actually love painting outdoors. It’s been only 3.5 years since I started painting en plein air, but, I can tell you, it’s changed my life. I’m forever grateful to Greg, my painting teacher, for that. Whether it’s 42°C heatwave or freezing cold, I'm just loving it

And every time I’m outside painting, I project myself on this painting. Then I feel like sharing the same space and time painting together with Van Gogh. 
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